Kathryn Elizabeth Smith (May 1, 1907 – June 17, 1986) was an American contralto. Referred to as The First Lady of Radio, Smith became well known for her renditions of "God Bless America" and "When the Moon Comes over the Mountain". She began to use the descriptor The Songbird of the South in the late 1920s, while performing on the stage. This term was also used by other southern vocalists of that era; however, as the Washington D.C. Sunday Star noted, Smith was not really southern—born in Virginia, she had spent nearly all of her life in the D.C. area."Local Stage and Screen," Washington D.C. Sunday Star, June 30, 1929, part 4, p. 3. But as Smith became nationally known, she became more identified with the term. By early 1929, she was being referred to that way on a regular basis: a version of the term, using "from" rather than "of," was seen in newspaper advertisements that promoted her stage performances."New Vaudeville and Films," Louisville Courier-Journal, March 7, 1929, p. 4. "Songbird of the South" was used when she appeared on the NBC Radio Network in April."Headliner on Air," Cincinnati Post, April 8, 1929, p. 14. Then, in the summer of that year, she starred in a Vitaphone short feature entitled "Songbird of the South," in which she sang two of her hit songs,"Bless You Sister" and "Carolina Moon.""Photoplays This Week," Washington D.C. Evening Star, June 30, 1929, part 4, p. 1.
Her earliest musical influences were her parents: her father sang in the choir at the Catholic church; her mother played piano at the Presbyterian church. She attended Business High School in D.C. (now Theodore Roosevelt High School), likely graduating in 1924. Alarmed by his daughter's evident penchant for the stage, her father sent her to the George Washington University School for Nursing where she attended classes for nine months between 1924 and 1925, withdrawing to pursue a career in show business.
She got herself on the bill at Keith's Theater in Boston as a singer. Heading the bill was the actor and producer Eddie Dowling, who recruited the young singer for a revue he was preparing. It was called Honeymoon Lane, and opened in Atlantic City, New Jersey on August 29, 1926. A month later, it moved to Broadway.
An indelicate review in The New York Times on October 31, 1926, under the heading "A Sophie Tucker Rival", said: "A 19-year-old girl, weighing in the immediate neighborhood of 200 pounds, is one of the discoveries of the season for those whose interests run to syncopators and singers of what in the varieties and nightclubs are known as 'hot' songs. Kate Smith is the newcomer's not uncommon name."
When Honeymoon Lane closed, Smith had difficulty finding work in New York, so she returned to Washington, D.C., where she appeared sporadically in vaudeville. Smith joined the road company of Vincent Youmans' Hit the Deck, where she won acclaim singing "Hallelujah!" as a mammy in blackface. Back in New York City, she took the company lead in George White's Flying High, which opened at the whites only Hurtig & Seamon's New Burlesque Theater (which later became the Apollo Theater) on March 3, 1930, and ran for 122 performances. As Pansy Sparks, Smith's role was to be the butt of Bert Lahr's often cruel jibes about her girth. She said later that she often wept with humiliation in her dressing room after the show.
Her musical career took a huge leap in 1930 when Columbia Records A&R executive Ted Collins took an interest as a result of her Hit the Deck performances. Collins would become her longtime manager in a 50–50 partnership. Smith had become self-conscious regarding her weight, in no small part because of the on- and off-stage mocking she received from co-star Bert Lahr. She later credited Collins with helping her overcome her self-consciousness, writing, "Ted Collins was the first man who regarded me as a singer, and didn't even seem to notice that I was a big girl." She noted, "I'm big, and I sing, and boy, when I sing, I sing all over!"
Collins put Smith on radio in 1931. That year, she performed "Dream a Little Dream of Me". Her biggest hits were "River, Stay 'Way from My Door" (1931), "The Woodpecker Song" (1940), "The White Cliffs of Dover" (1942), "Rose O'Day" (1941), "The Last Time I Saw Paris" (1940), "I Don't Want to Walk Without You" (1942), "There Goes That Song Again" (1944), "Seems Like Old Times" (1946), and "Now Is the Hour" (1947). "Rose O'Day" sold over one million copies, her first to achieve this feat, and was awarded a gold disc by the RIAA. Her theme song was "When the Moon Comes over the Mountain"; she had helped write the lyrics. Smith greeted her audience with "Hello, everybody!" and signed off with "Thanks for listenin'."
In 1932, Smith appeared in Hello, Everybody!, with co-stars Randolph Scott and Sally Blane, and in the 1943 wartime film This Is the Army, she sang "God Bless America", which became her signature song.
The Kate Smith Hour was a leading radio variety show, offering comedy, music, and drama with appearances by top personalities of films and theater for eight years (1937–1945). The show's resident comics, Abbott and Costello and Henny Youngman, introduced their comedy to a nationwide radio audience aboard her show, while a series of sketches based on the Broadway production of the same name led to The Aldrich Family as a separate hit series in 1940.
Smith also made a dramatic appearance, starring in "Little Johnny Appleseed" on Silver Theater on May 14, 1944. By 1946, she also collaborated with the actor Pat O'Brien on the Viva America program for the CBS radio network in support of America's cultural diplomacy initiatives in South America. Photograph of actor Pat O'Brien and singer Kate Smith on the Viva America program for CBS Radio on Getty Images.com
Smith's figure was not the only target of satire. Her cheery radio sign-on was parodied by comedian Henry Morgan when he launched his own show in 1942: "Good evening, anybody, here's Morgan," which became his sign-on. Morgan recalled in his memoir Here's Morgan, that Smith's sign-on struck him as condescending: "I, on the other hand, was grateful if anybody was listening."
Smith continued on the Mutual Broadcasting System, CBS, ABC, and NBC, presenting both music and talk shows on radio until 1960.
In 1944, Smith launched a campaign against the film Double Indemnity.Sikov, Ed (1998). On Sunset Boulevard: The Life and Times of Billy Wilder. New York: Hyperion. ISBN 978-0-7868-6194-1. 197–213. James M. Cain recalled that "there was a little trouble caused by this fat girl, Kate Smith, who carried on a propaganda asking people to stay away from the picture. Her advertisement probably put a million dollars on its gross."McGilligan, Patrick (1986). Backstory: Interviews with Screenwriters of Hollywood's Golden Age. Los Angeles: University of California Press. ISBN 978-0-520-05689-3. p. 125–8
From January 25 to July 18, 1960, Smith hosted The Kate Smith Show, a variety program on the CBS Television Monday evening schedule.McNeil, Alex (1996). Total Television. New York City: Penguin Books. 4th ed. pp. 446–447. On October 2, 1966, Smith performed on the British television show, Sunday Night at the London Palladium.
Because of her popularity, her face was a common sight in print advertisements of the day. Over the years, she acted as a commercial spokeswoman for numerous companies such as Studebaker, Pullman, Cargill, and Jell-O.
At the Flyers' home opener against the Toronto Maple Leafs on October 11, 1973, Smith made a surprise appearance to perform the song in person and received a tremendous reception. The Flyers won that game by a 2–0 score. She again performed the song at the Spectrum in front of a capacity crowd of 17,007 fans before game 6 of the Stanley Cup Finals on May 19, 1974, against the Boston Bruins. Before this game, Smith had a "Flyer Record" of 36–3–1 (win-loss-tie). After her performance, in keeping with the Flyers' reputation of "The Broad Street Bullies", Smith mimicked a knockout punch. Boston's defenseman Bobby Orr and center Phil Esposito tried to jinx the Flyers' "good luck charm" by shaking her hand after her performance. Yet, the Flyers won their first of two back-to-back , winning that playoff series against the Boston Bruins four games to two, with goaltender Bernie Parent shutting the Bruins out 1–0 in the game.
Smith also performed live at the Flyers' home game on May 13, 1975, before Game 7 of the Stanley Cup semifinals against the Islanders. After her performance, Islanders' captain Ed Westfall presented her with a bouquet of flowers as each member of the Islanders lined up to shake her hand. Nonetheless, the Flyers won the game 4–1. On May 16, 1976, Smith made one of her final public performances before Game 4 of the Stanley Cup Finals when the Flyers lost to the Montreal Canadiens 5–3 and were swept in that series. She made her final public performance on May 23, 1985, before Game 2 of the Stanley Cup Finals when the Flyers lost to the Edmonton Oilers 3–1, and lost the series in five games.
The Flyers' record when "God Bless America" was played or sung by Smith in person stood at 100 wins, 29 losses, and five ties . Smith and her song remain a special part of Flyers' history. In 1987, the team erected a statue of Smith outside the Spectrum, their arena at the time, in her memory. However, the statue was later covered and then removed in April 2019 due to criticism of lyrics in some of her earlier songs that were perceived as racist. Until that time, the Flyers still showed a video of her singing "God Bless America" in lieu of "The Star-Spangled Banner" for good luck before important games. The video of Smith's performance was later accompanied by Lauren Hart, daughter of the late Hockey Hall of Fame broadcaster, Gene Hart, longtime voice of the Flyers, and anthem singer for the Flyers. Before games whenever "God Bless America" was performed, Lou Nolan, the public address announcer for the Flyers at Wells Fargo Center would say "Ladies and gentlemen, at this time, we ask that you please rise and remove your hats and salute our flags and welcome the number-one ranked anthemist in the NHL, Lauren Hart, as she sings 'God Bless America', accompanied by the great Kate Smith."
Smith's plump figure made her an occasional object of derision; however, late in her career, Philadelphia Flyers hockey fans said about her appearance before games "It ain't BEGUN 'til the fat lady sings!" Smith was tall and weighed at the age of 30.Current Biography 1940, pp 745–747. She titled her 1938 autobiography Living in a Great Big Way.
Smith was the grand marshal of the 1976 Tournament of Roses Parade in Pasadena, California, and sang "God Bless America" and the National Anthem before the Rose Bowl game, a UCLA victory over Ohio State.
Smith called for racial tolerance in 1945 in an address on CBS Radio, declaring, "Race hatreds, social prejudices, religious bigotry, they are the diseases that eat away the fibers of peace". She went on to state "it is up to us to tolerate one another in order to achieve peace".
Patricia Castledine (1939–2021) was Smith's live-in nurse until Smith's death. Castledine became the president of the Kate Smith Fan Club after Smith's death and continued to hold that post until her own death in 2021.
For over a year following her death, Smith's remains were stored in a vault at St. Agnes Cemetery in Lake Placid, while officials of St. Agnes Church and the singer's executors engaged in a dispute over Smith's request to be interred in a mausoleum on the cemetery's grounds. Her private interment service was held on November 14, 1987.
It was not the first time Smith had been saluted by a president. In 1969, in light of Jim Morrison's arrest in Miami for indecent exposure, Smith had performed with The Lettermen, Anita Bryant, and Jackie Gleason in a concert demonstration against indecency, for which President Richard Nixon commended the stars' performances.
Recordings
Best-selling singles
"—" denotes releases that did not chart
Record albums
Significance in professional sports
21st-century controversy
Personal life
Religion
Death
Legacy
Presidential Medal of Freedom
The voice of Kate Smith is known and loved by millions of Americans, young and old. In war and peace, it has been an inspiration. Those simple but deeply moving words, "God bless America", have taken on added meaning for all of us because of the way Kate Smith sang them. Thanks to her they have become a cherished part of all our lives, an undying reminder of the beauty, the courage, and the heart of this great land of ours. In giving us a magnificent, selfless talent like Kate Smith, God has truly blessed America.
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